Feature Points
- VINTAGE PRINT REPRODUCTION: Historic reproduction of 1897 Barnum & Bailey Circus Poster - Miss Rose Meers Greatest Lady Rider. Printed on archival-grade paper that resists fading and discoloration for over 100 years. Perfect for home, office, or gallery display.
- PREMIUM GALLERY PAPER: Heavyweight fine art paper with non-reflective matte finish eliminates glare while delivering museum-grade appearance and lasting durability.
- PROFESSIONALLY RESTORED: Each image is digitally restored by our art specialists to remove age-related deterioration while preserving authentic historical details and character.
- BORDERLESS DESIGN: Artwork prints edge-to-edge for a seamless, gallery-ready appearance. Ships protected in rigid tube packaging to prevent damage and ensure perfect condition upon arrival.
- MADE IN USA: Our multi-step restoration process and quality control ensure each print meets professional standards. Every reproduction is individually inspected before shipping.
Additional Information
Produced around 1897, this magnificent circus poster celebrates Miss Rose Meers, hailed as the greatest living lady rider, performing her signature act of standing gracefully on one foot atop a galloping horse. Created by the Strobridge Lithographing Company of Cincinnati, the artwork showcases Meers' remarkable poise and athletic mastery.
Rose Meers belonged to the celebrated Meers Sisters, a distinguished equestrian family whose members achieved international recognition for their bareback riding artistry. Billed as "entirely original in dress, style and action" and commanding an extraordinary salary of one hundred dollars per day, Meers ranked among Barnum & Bailey's highest-paid performers.
Female equestriennes occupied a prominent position in Victorian-era circus culture, captivating audiences with displays of athleticism and elegance that challenged prevailing notions about women's physical capabilities. These performers demonstrated exceptional strength and balance while maintaining the graceful presentation that distinguished premier bareback riders from ordinary circus acts of the period.
This captivating promotional artwork preserves the artistry and courage of one of the most celebrated equestriennes in American circus history. The elegant composition reveals both Meers' individual brilliance and the era's appreciation for daring female performers, making it an outstanding addition to any collection honoring nineteenth-century entertainment and women's achievement.
